The obvious large-scale cleanup has been the inner “Circle
of Saint John,” the Masonic plot which can actually now be seen and easily
accessed for the first time in ten years. (The lead photo in this article was made in May 2014, after substantial clearing had occurred.) Various groups of people have
participated in the restoration of this particular area of the cemetery,
including local Masonic lodge members and students from Drexel University. I
had seen photos of the cleared area but until you see it in person, you cannot
appreciate the magnitude of the job. The photo below shows the same area in 2011.
Circle of St. John at Mount Moriah Cemetery, Philadelphia, winter 2011 |
My focus of this article, however, is less on the magnitude of this work than on the meticulous CARE involved. Obviously, the people involved are focused on more than just the brute force work of clearing the area of invasive trees, vines, and knotweed. They’re doing this because they’re interested in what’s under the brush – the graves of our ancestors. This is about respect for the dead and keeping their memory alive.
On walking through the Circle,
this granite draped urn (at left) caught my eye. It was placed at the foot of a large
memorial, the one it had fallen from. It
seems a rather small detail, but it exemplifies the great care that the
volunteers take to ensure this statuary continues to exist, and the memories
remain strong. The urn can be viewed as a simple design accent on a grand
Victorian memorial, but in past times, it was viewed as much more than that.
This particular urn was found embedded in the ground, having fallen about ten feet from the top of the monument behind it, god knows how many years ago. The Friends (Bill Warwick, Bill McDowell, and Ken Smith) dug it out and carefully placed it where you see it in the photo. My estimate of the weight of this thing is three hundred pounds. No small feat. To give you an idea of the size of this objet d’art, take a look at the photo below of me crouched behind a similar urn a few plots away. I weight two hundred pounds and am six foot two.
However, designers did not use the urn as a literal symbol of a cinerary urn (which holds ashes, or cremated remains), simply because cremation was far less common then.They meant for it to symbolize a container of sorts, like the human body, which holds inside it, the soul.
Douglas Keister, in his book, Stories in Stone,” says:
“The draped cinerary urn is probably the most common nineteenth-century
funerary symbol." The drape may symbolize the veil between earth and heaven.
Since cremation was seldom practiced in the 1800s, the urn likely does
not signify a literal vessel for ashes (or cremains). More likely it symbolizes
the human body, a simple vessel for the spirit. Keister goes on to state that the urn and
the willow tree “were two of the first funerary motifs to replace death’s head
…. effigies when funerary symbolism started to take on a softer air after the
[American] Revolutionary War.”
Keister tells us that the phrase “gone to pot” may have originated as a reference to a cinerary urn.
Keister tells us that the phrase “gone to pot” may have originated as a reference to a cinerary urn.
Friends' treasurer Ken Smith, with chain saw |
Visit the Friends of Mount Moriah Cemetery, Inc. website to learn more and find out how you can help! (Click here!)
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