My knowledge of eighteenth-century American headstone
carvers is rather limited. What I do know has been gleaned from my relationship
with the Association for Gravestone Studies. This organization publishes such
scholarly information in their quarterly journal (see link at end). So when
I personally happened upon evidence of such a headstone carver right
before my eyes, I became immediately interested.
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Pennington Presbyterian Church, Pennington, New Jersey. |
Walking through the Presbyterian Church graveyard in Pennington,
New Jersey, I noticed seven red sandstone grave markers all in a row – six large
(standard-sized), and one small. Recognizing them as the oldest on the site, I
thought perhaps they might have the old “angel-head” carving at top (I initially spotted them from behind). I walked
around the thick (three inch) slabs with the roughly carved backs and, lo and
behold, three of the large stones had angel heads carved at top, while two had
a sunrise! I get rather excited to find these as they are quite uncommon
outside New England. New Jersey cemeteries seems to be the southern cutoff point. Why is
this?
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Rear view of red sandstone grave markers |
Well, New England was one of the first areas of the north American continent to
be settled by Europeans and the first to become densely populated. Therefore,
the oldest graveyards are there. The Puritanical flair of the headstone
artisans and craftsmen is evident on early headstone carvings throughout that
region. As time went on, populations grew and spread out from New England. Belief
systems changed, different materials were used for grave markers, and this
particular type of angel head was replaced with other symbolism (or none at
all).
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"Sunrise" symbolism |
White marble became a popular choice as a replacement for
red and brown sandstone, as Vermont and Philadelphia quarries boomed in the
late 1700s. Angel heads appear on old marble stones too, but marble wears
easily and detail is quickly lost. Sandstone retains detail better, but cracks
more easily. Central and northern New Jersey’s sandstone quarries supplied the
need for grave marker material from the end of the seventeenth century until
the beginning of the nineteenth century.
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Small headstone, perhaps a child's |
While red sandstone grave markers can be found
geographically south of central New Jersey, they are usually devoid of ornamentation
(i.e., angel heads, flowers, and other designs). The reason is that
Philadelphia-area stone carvers (from 1785 onward) usually did not exhibit the
artistic flair, or skill, of their northern counterparts. Still, fanciful
headstones from the northern and central New Jersey carvers found their way to
cemeteries all over the east coast.
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"E. Price" signature engraved at bottom of 1775 headstone |
Ebeneezer Price
As I photographed the seven red sandstone markers in
Pennington’s Presbyterian Church graveyard, I realized two things: one, they
all marked graves of members of the same family, the Muirheids; and two, the
markers were all signed by the same stone carver! This latter point is rather unusual in
my experience.
“E. Price,” as you can see in this photo, stands for
Ebeneezer Price, “
New Jersey’s most prolific eighteenth century gravestone
carver” (so described by Nonesteid and Veit in their fascinating 2011 publication,
Carrying On the Stone Cutting Business.)
FindaGrave.com describes Price as a “
Master
Craftsman, Folk Artist. One of the most skilled and prolific gravestone carvers
in colonial America, Price's work began to appear in the burial grounds of
northern New Jersey in 1757…”
Ebeneezer Price, this engraver from Elizabeth, New Jersey,
was born in 1728 and created masterpieces such as those you see here from 1744 through 1787. These intricate soul effigy engravings, lettering, and other designs were amazingly
done by his own hand and chisel. His style influenced many other stone carvers of his time.
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Note "E. Price" engraving at bottom right |
It happens to be well-documented that Price signed, or
initialed his work, which was unusual in that industry, or craft. I found it
interesting that during the Revolutionary War-era that Price was in business, he
would barter for payment of a carved headstone. Barbara Schaffer’s 2013
Quilts,
Gravestones, and Elusive Ancestors blog post, “
Signed by Carvers,” reproduces a
1786 newspaper advertisement for Price’s engraving business. He would accept any
of the following in exchange for an engraving job: “
timber, stone, brick,
boards, window-frames, doors, sashes, shutters, hinges, carting, labor.” The
article shows further examples of Price’s intricate carvings of angels,
flowers, and letters.
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Seven Ebeneezer Price-engraved sandstone grave markers, Pennington, New Jersey |
Ebeneezer Price’s workshop was in Elizabeth, New Jersey, but
his engraved headstones – wonderful examples of early American folk art - traveled
to such places as New York City, Long Island, the Carolinas, Georgia, and
the Caribbean (
ref.)
Price died in 1788 and is buried at the First Presbyterian
Churchyard in Elizabeth, New Jersey.
References and Further Reading: