Showing posts with label Memorial Day. Show all posts
Showing posts with label Memorial Day. Show all posts

Saturday, May 28, 2016

A Memorial Day Re-Dedication

Original setting of Silent Sentry sculpture, Mount Moriah Cemetery

I very rarely time my blogs with particular events. Not because I don’t try, but because I’m scatterbrained. You would think this would be relatively easy, with, for instance, holidays, which tend to happen on the same day every year! But for Memorial Day 2016, I believe I will actually be able to post a topical blog in time for the holiday! Now, I’m not perfect – the Memorial Day event about which I’m writing actually happened two years ago, in 2014. 
 
Re-enactors at Laurel Hill Cemetery, Philadelphia, for re-dedication of the Silent Sentry, 2014

But here’s a timeless fact: Memorial Day (or Decoration Day as it was originally called), an observance with Civil War origins, was first officially held on May 30, 1868. It was observed in Philadelphia at Laurel Hill Cemetery on that date (ref.).

The Silent Sentry

Ed Snyder with Silent Sentry
But on the Memorial Day in question, in 2014, the Civil War memorial bronze statue "The Silent Sentry" (sometimes referred to tas the "Silent Sentinel") was unveiled to a crowd of hundreds at Philadelphia's Laurel Hill Cemetery. I attended the re-dedication ceremony. It was quite an event, attended by Civil War re-enactors (both men and women), musicians, historians, members of the General Meade Society, the clergy, the military – in short, people from many walks of life. (The photo of me with the statue was made in May, 2013, when the Silent Sentry was initially delivered to Laurel Hill Cemetery.)

After gathering at the gatehouse on that bright sunny day, the crowd first proceeded to the grave of General George Meade (successful Union Army Commander at the Battle of Gettysburg), where some speeches and three 21-gun salutes were made. I happened to be in the wrong (or right, depending on your point of view) place at the time of the salute. I was standing directly behind the line of Civil War re-enactor soldiers when they raised their rifles and fired into the air! I was surprised by the loud reports and the smoke! However, I did manage to snap a few photos, one of which ended up on the front page of the Philadelphia Public Record newspaper a week after the event (click to see image). This is the photo below.

Civil War reenactors giving a 21-gun salute at General George Meade's grave

After Meade's headstone was decorated with floral wreaths (the original intent of "Decoration Day"), those assembled processed to the site of the veiled Silent Sentry statue, which had been placed high up on a newly-made granite pedestal. The original pedestal was long ago reused for a statue in Gettysburg National Cemetery, in Gettysburg, Pennsylvania. 
 

The Silent Sentry statue itself, a magnificent seven-and-a-half-foot-tall bronze of a Civil War soldier, was originally in residence at Philadelphia's Mount Moriah Cemetery. It was installed on the Yeadon, PA side of the cemetery in 1884; Mount Moriah spans two counties, half of it is in Philadelphia, the other half in Delaware County.

Ceremony at General George Meade's grave site

When and why did the Silent Sentry leave Mount Moriah?

If you’re a reader of my blog, you’re probably aware of the fact that Mount Moriah was in pretty bad shape between the years 1970 to 2011. The prior owners allowed it to become overgrown and did not maintain it. The volunteer organization, The Friends of Mount Moriah Cemetery, Inc., took over maintenance of Mount Moriah in 2012 after the enormous property (reputedly 300 acres) was legally abandoned. The Silent Sentry originally stood guard at the Soldiers' Home of Philadelphia plot, which was “a civilian organization that helped care for indigent and disabled Civil War veterans ... The home bought a plot at Mount Moriah for soldiers who died under its care” (ref.). The photo at the beginning of this article is a late-1800s image of the Silent Sentry in its original location (image is owned by the The Friends of Mount Moriah Cemetery, Inc. or FOMMCI, and not for reproduction elsewhere).

The plot is the final resting place for 96 Civil War soldiers. In 1889, after 25 years of service, the Soldiers Home “dissolved their corporation and deeded their treasury and burial lots and memorials in Trust to the ‘Military Order of the Loyal Legion of the United States,’” or MOLLUS (ref.).
 
Civil War veterans' MOLLUS Plot at Mount Moriah Cemetery

Since then, the original Soldiers Home plot has been referred to as the MOLLUS plot. The plot with its small white marble headstones is still there (see photo above), but the statue and pedestal are gone. The Silent Sentry was removed in the 1970s by thieves, who stole it and attempted to sell it to a Camden, New Jersey scrap yard. The scrap dealer notified authorities, who retrieved the damaged sculpture. It was taken to the Laran Bronze foundry in Chester, PA where it was repaired. The bronze statue remained there for about forty years, as MOLLUS did not feel there was adequate security at Mount Moriah Cemetery.

The Silent Sentry’s New Home

Silent Sentry at Laurel Hill Cemetery
The statue has found a new home in Philadelphia’s historic Laurel Hill Cemetery, and was unveiled and
rededicated on Memorial Day 2014. It “stands watch over the Gen. Meade Post No. 1 Grand Army of the Republic burial plot, looking out at the cemetery where nearly 20 other generals from the Revolutionary War, War of 1812, Mexican War, World War I and World War II also are buried” (ref). A fitting place for the statue, in many people’s opinion.

Silent Sentry arriving at Laurel Hill Cemetery, 2013 (http://civilwarcavalry.com)

MOLLUS wanted a more secure location for the Silent Sentry. Although the Friends of Mount Moriah Cemetery, Inc. has made great strides in improving the condition of the cemetery since 2012, there is still little security to guarantee the safety of the such a valuable piece of art. The new location is well-lit, near a public road, and fenced in. 

Veiled "Silent Sentry" statue at left, Laurel Hill Cemetery

But back to the re-dedication of the statue. Speeches were made and music was played during the ceremony. It was a rather solemn event. People forget that Memorial Day means more than just a cookout in the back yard with family and friends. Memorial Day honors those who have died in the defense of their country. Originally, the occasion referred specifically to decorating the graves of the Union war dead with flowers. The legal holiday originated in 1868 by the Grand Army of the Republic (G.A.R.), an organization of Union veterans, for the purpose of honoring Union soldiers who had died in the Civil War. Confederate traditions were observed on a different day but by the beginning of the twentieth century, the two had merged. The nation began observing the day in honor of all those who have died while in military service.  

At the lovely after-party following the ceremony, everyone had a chance to mingle and enjoy complimentary refreshments. I met a gentleman who introduced himself as a member of the “Sons of Union Veterans of the Civil War.” Knowing that my friend Sam Ricks, a member of the “Sons of Confederate Veterans“ was nearby, I introduced them to each other. After they smiled and shook hands, I slipped away into the crowd ….

References and Further Reading:
http://www.usmemorialday.org/

Thursday, May 21, 2015

“Monuments Men” Visit Mount Moriah Cemetery on Memorial Day

Memorial Day 2015 will be celebrated in an unusual way at Mount Moriah Cemetery (half of which is in Philadelphia, half in Yeadon, Pennsylvania). Two companies, Kreilick Conservation LLC (of Oreland, PA) and the George Young Company (of Swedesboro, New Jersey) will donate their services in an effort to upright, restore, and in some cases, reassemble some of the toppled U.S. military veterans’ grave markers and monuments. The day’s work will be overseen by Ken Smith of the Friends of Mount Moriah Cemetery, Inc. The non-profit, volunteer organization currently coordinates all such restoration efforts.
 
Friends' treasurer Ken Smith (L) with T. Scott Kreilick of Kreilick Conservation LLC

T. Scott Kreilick’s company specializes in laboratory and field analysis of materials, condition assessments, emergency response and stabilization, treatment, documentation, and maintenance of architecture, monuments, sculpture, and objects. Young’s company is a heavy hauling, rigging, and transport firm best known for moving the Liberty Bell to its current place on Independence Mall in Philadelphia. The George Young Company has been in business since 1869 and Mr. Young’s ancestors are buried on the Yeadon side of Mount Moriah.

Volunteer workers at the Young family monument

Following is the list of toppled monuments and headstones marking the graves of veterans (and others) that will be worked on (along with the cemetery section in which they reside):

1. Brevet Brig. Genl. John K. Murphy 1796-1876 Section 128

2. Brevet Brig. Genl. Edwin R. Biles 1828-1883 Section 30

3. Major John Lockhart 1833-1917 Section 201

4. Lieut. Wm. Rainey Ritchie 1877-1904 Section 200

5. Samuel Watson 1838-1885 Section E

6. Thomas T. Tasker, Jr. 1799-1892 Section 129

(Click link to read about U.S. military veterans buried in Mount Moriah Cemetery.)

Kreilick examining monument at Mount Moriah
Kreilick Conservation, LLC proposes to wash the individual granite components of each monument. Their restoration specialists will fill cracks by injection grouting and color-matched mortar fills. Some cracks or detached elements that require more extensive intervention may be pinned to facilitate the repair and stability. Individual monument components will be rigged and repositioned by George Young Company personnel. Kreilick Conservation personnel will provide conservation oversight. These services are being provided at no charge.

All services provided by Kreilick Conservation, LLC are conducted in accordance with the American Institute for Conservation of Historic and Artistic Works’ (AIC) Code of Ethics and Guidelines for Practice, and in accordance with the Secretary of the Interior’s Standards for Restoration.

Masonic Circle of St. John, Mount Moriah
Kreilick and Young have partnered to do similar work in the past, volunteering their company’s resources (e.g. people and cranes) at other Philadelphia area cemeteries. Their goal is to accomplish what they can in a single day. In 2005, for instance, they re-set 36 headstones at Montgomery Cemetery in Norristown, PA, that had been pushed over by vandals. The two men team up for such projects on Memorial Day to focus attention on the need to maintain the region's historic cemeteries. Many are deteriorating.

The work at Mount Moriah is even more ambitious than their Montgomery Cemetery project. Most of the damage to the larger structures at Mount Moriah was probably caused by ground subsidence or overgrowth of trees, rather than vandalism. Each of the six monuments is considerably larger and heavier than a simple headstone. Uprighting and reassembling fallen granite obelisks and other memorials requires leveling the massive bases and using a crane to lift the pieces. Then, the pieces must be secured.

Kreilick meeting with Ken Smith (right) to plan the resetting of monuments

We applaud the efforts of Kreilick Conservation, LLC and the George Young Company in assisting the Friends of Mount Moriah Cemetery, Inc. in this restoration work. Their planned endeavor to raise these monuments to the fallen is a fitting tribute to the deceased. Memorial Day, after all, is the day the United States has set aside to remember and honor those who died while serving in our country’s armed forces. 'History,' as they say, is what we deem worth remembering.

References and Further Reading:




Saturday, November 1, 2014

“Richmond Cemeteries:" Book Review and Interview with the Authors

In September, 2014, I had the good fortune to be introduced to the newly published book, Richmond Cemeteries. The latest addition to Arcadia Publishing’s popular “Images of America” series, Richmond Cemeteries explores the history buried in and around the graveyards of Richmond, Virginia. As a review of sorts, I spoke with the authors, Christine Stoddard and Misty Thomas.

Arcadia’s “Images of America” books follow a pretty standard format – they focus on local or regional historical topics and are paperback pictorial history books, so they are primarily images. Richmond Cemeteries has a plethora of interesting photographs and a thought-provoking narrative to pull it all together. Don't expect just pictures of cemeteries, but also pictures of lives remembered, vintage images to help us reconnect with our past. (All of the photos in this article are from the book.)

Richmond Cemeteries is truly wonderful, I was really taken by it. Never having visited Richmond, I was quite curious about the city and its famous cemetery, Hollywood. Before I set before you the transcription of my dialog with the authors, let me give you a synopsis of the book based on the Arcadia press release:
Richmond, Virginia, the capital of the Confederacy and once one of the most prosperous cities in the United States, is home to a range of cemeteries that tell the story of American trends in honoring the dead. The book boasts 200 vintage images, many of which have never been published, and showcases memories of days gone by.

African slaves were interred in Shockoe Bottom’s so-called “burial ground for negroes,” U.S. presidents James Monroe and John Tyler were buried in Hollywood Cemetery, and Civil War soldiers were commemorated throughout the metropolis. During and shortly after the Civil War, Richmond worked to accommodate thousands of new graves. Today, Richmonders work to preserve and celebrate the past while making way for the future.

Highlights of “Richmond Cemeteries” include details of urban legends of Richmond, historical figures buried in Richmond cemeteries, and stories related to Edgar Allan Poe, who was a Richmond resident.  
Ruins after the burning of Richmond, 1865

Interview with authors Christine Stoddard and Misty Thomas

CT: Cemetery Traveler
 A: Authors


CT: Cemeteries focus people’s attention on certain eras, events, or people. Your book has a wealth of information for everyone. I’m especially intrigued by the various entries on American Civil War dead. Readers sometimes only grasp the magnitude of that war when told that there were so many dead bodies (620,000), but few realize there was no planned effort to deal with that or to treat them with dignity. Can you comment on that?
A: The war was so bloody that people back then had no idea how many graves to dig. They dug graves and then they had to dig some more. They just kept digging and digging, often quickly and not very deep. They had to get bodies out of the fields and into the ground. But there were just so many men dying that graves of any kind—let alone proper graves—couldn't be dug fast enough. It must have been horrifying to live then.

As the capital of the Confederacy, Richmond was at the heart of the Civil War

CT:  Richmond having been the capital of the Confederate States of America, I was intrigued by the wartime photos of the city in your book. Also, the related wartime history in Richmond’s Shockoe Hill Cemetery, such as the Union Army soldiers buried there. Can you comment for our readers on why Union soldiers would be buried south of the Mason-Dixon Line and Confederate soldiers buried in the north? This is something people generally don’t think about.
A:  It was a matter of convenience more often than not. As previously mentioned, they just couldn't dig graves fast enough. After the war, some groups, like the Daughters of the Confederacy, raised funds to get their men reinterred on their land, but often bodies were buried close to where the soldiers had died.

CT:  In your introduction, you talk about the African American Burial Ground that was paved over by Virginia Commonwealth University (VCU) to build a parking lot. A similar situation occurred in Philadelphia in 1956, where Temple University wanted the nearby land occupied by Monument Cemetery for a parking lot. They convinced the city to condemn it. Since I do a lot of research into abandoned cemeteries, I find it wonderful that you would mention that travesty right there in your introduction. Why did you do that?
A:  We mentioned this travesty in the introduction because it remains a controversial topic in Richmond. It's very timely because, last year, Mayor Dwight Jones reintroduced the idea that Richmond should build a baseball stadium in historic Shockoe Bottom. Now that I live in Northern Virginia outside of Washington, D.C., I'm still hearing about Shockoe Bottom because it has become international news. Earlier this month, Actress Lupita N'yong'o of the film Twelve Years a Slave went to social media to voice her opinions about preserving Richmond's slave trade history. This isn't just a Richmond or Virginia matter. It isn't even just an American matter. It's a global matter. It's about social justice and how racial discrimination persists even in death.

Jefferson Davis and family, post-war (1884 or 1885)

CT:  Your stories about famous people related to the stones and monuments in Richmond cemeteries are wonderful. I never saw the document reproduced on page 38, “An Address to the People of the Free States,” by Jefferson Davis. Being a northerner schooled with northern history books, this sort of document makes you realize how biased history books are. What is your take on that?
A:  Definitely! I grew up in Arlington, Virginia, a suburb of Washington, D.C. and home to Arlington National Cemetery. It is a strange place in the sense that it is culturally both Northern and Southern. But it's also very multicultural. Arlington attracts people from across the country and the world for its federal government and think tank jobs. My history classes varied from year to year, depending on where my teacher that year was from. Certainly history is biased. Most of what we're taught as Americans (Northern, Southern, Midwestern, West Coast, what have you) was written by older, white, Protestant men. There's nothing wrong with belonging to that demographic, but that's not the only kind of person who should be telling the stories.

Confederate Army Gen. J.E.B. Stuarts's temporary grave
CT:  Other photos in your book are fascinating, such as J.E.B. Stuart’s “temporary” grave (p.28), Edgar Allen Poe’s mother Elizabeth (p. 62), the post-War photos of Jefferson Davis and his family (p. 24). These are images I’ve never seen. Do you feel your book provides a history lesson based on graveyards?
A:  Yes, that was one of the objectives: To show how cemeteries are rich in all kinds of historical clues. They may be the setting of ghost stories and a place you visit for Memorial Day or the anniversary of a loved one's death, but they are also a treasure trove for historians and history enthusiasts.

Poe's grave in Baltimore
CT:  You say that Edgar Allen Poe considered himself a Virginian since he grew up in Richmond. So many cities claim a part of him! Kind of like Mark Twain. How likely is it, do you think, that his body may one day be reinterred (from Baltimore) in Richmond?
A:  I doubt that will happen. I actually made a documentary about Poe's life in Richmond and his claim as a Virginian. It's called The Persistence of Poe (www.poerichmond.com). When I screened it at a bookstore in New York in 2013, your very question became of the focus of the Q&A session. The fact remains that Poe died in Baltimore and the Poe Society there is a passionate group. Since Poe doesn't have any descendants clamoring for him to be reinterred, I suspect he will stay right where he is. Reinterment is an expensive process and, even as a Virginian, I believe that money is better spent operating the Poe Museum and its many programs.

CT:  I have friend who is a member of the Sons of Confederate Veterans organization and his current project is documenting (with GPS positioning and database entry) the locations of Jewish Confederate Civil War Veterans buried in Philadelphia. I believe he has so far documented about 200, which were not previously in the database. I will loan him your book and point out the photo of the “Hebrew Confederate Soldiers Cemetery” (p. 119). How did you find out this is the only Jewish military cemetery located outside Israel?
A:  In all honesty, we went with what Beth Ahabah, the synagogue that maintains the cemetery, said. The Confederate section is reportedly the only Jewish military cemetery in the United States.

Walkers at family plot (around 1903)
CT:  I have to say, your book is filled with certain things that I find personally gratifying. For instance, the several vintage photos of Maggie Walker and family tending family grave plots in Evergreen Cemetery (pps. 46-48). This is unusual in many ways. Obviously people have made photographs of their own family in cemeteries since the dawn of photography, but the public rarely sees them! When Mount Moriah Cemetery in Philadelphia was abandoned, and then rescued (in 2011) by the Friends of Mount Moriah Cemetery, Inc., it was discovered that there existed only a handful of vintage institutional photographs to document the cemetery’s history (est. 1855). As a member of the Friends, we relied on descendants sharing their personal family photographs with us to supplement our documentation of Mount Moriah. Can you comment on the historic value you see in the Walker photographs? 
A:   I like the Walker photographs because they show that cemeteries are places that can and should be enjoyed, not feared and avoided. My mother is from Central America where they celebrate el Día de los muertos, or Day of the Dead. This two-day holiday coincides with All Souls' and All Saints' Days in early November. I mention it because I love the spirit of el Día de los muertos. It asks us to be happy, not sad, when thinking of death and to uphold it as a natural part of life. It asks us to remember and respect our ancestors. It even asks us to dance and picnic in cemeteries. That's an attitude I wish more Americans had. I think maybe the Walker family did.

CT:   Was Hollywood your initial focus for the book? You could obviously write an entire book on just that cemetery, but you gave it equal time with the other Richmond cemeteries. Comment?
 
U.S. President James Monroe's cast iron tomb in Hollywood Cemetery

A: One of the reasons I decided to pitch and pursue the project was because I had noticed so many books and articles about Hollywood and, to a lesser extent, Shockoe Hill and St. John's Church graveyard, with comparatively little attention paid to Richmond's other cemeteries. I wanted to put Hollywood in geographic and cultural context. It may be the city's most popular cemetery, but I wanted readers to know that it is not the only notable burial ground. Other cemeteries, especially ones established for or by Richmond's African-American community, have too often been neglected from public memory and basic care. Perhaps by raising awareness of these other cemeteries, the public will feel compelled to better maintain their graves and grounds.

Memorial Day, the tradition of remembering our American armed forces dead, began at Hollywood Cemetery


CT:   Do you have any advice for people who want to visit these wonderful Richmond cemeteries? A starting point, perhaps?
A: Richmond offers a wealth of historic sites for anyone interested in American history. My recommendation is to choose your focus. I suspect that most of our tourists are Civil War buffs, in which case Hollywood, Oakwood, the national cemeteries, etc. are musts. But if you're an Edgar Allan Poe fan, then Shockoe Hill and St. John's can't be missed. If you're into African-American history, then you have to see Evergreen, Barton Heights, Woodlawn, and the slave burial grounds. Know that there are battlefields, museums and archives, such as the Valentine History Center and the Library of Virginia, that may appeal to your senses, too. 


During my time as a VCU student, I often explored Richmond's historic sites with my then-boyfriend, now-fiancé, on the weekends. I moved to Alexandria, Virginia for a year and came back to Richmond for a year to work on this book and a couple of other media projects, only to discover that there was still so much I hadn't seen. Now that I live in Falls Church, Virginia, I'm still learning of new places. Here's an example: Despite having written about it, I saw Arthur Ashe's grave for the first time today.

CT:  I thank you for introducing me (and hopefully many other readers) to the cemeteries of Richmond besides Hollywood Cemetery! That is the one everyone talks about. A couple I know used to live near there and have taunted me with stories of its grandeur, and how they enjoyed strolling its grounds. I have another friend who has done restoration work there. Unfortunately I’ve never been to Hollywood Cemetery or Richmond itself. Your book has whetted my appetite! Thank you!
A: Thank you, too! We're very proud of the book and the forthcoming documentary and appreciate your support.

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Christine Stoddard, the co-author of Images of America: Richmond Cemeteries, is also the director of the new documentary, Richmond's Dead and Buried (www.rvadeadburied.com), which premieres Nov. 8 at the James River Filmmakers Forum in Richmond. Please check this Facebook event page for more information on the documentary screening.

Additional screening dates will be listed on RVADeadBuried.com as the events are scheduled.

The book, Images of America: Richmond Cemeteries is available at bookstores, independent retailers, and online retailers (click for Amazon link), or through Arcadia Publishing at (888)-313-2665 or online.